About the Project

About the Book

My aim is to publish Andrew's work in a volume that will allow the reader to experience the full enjoyment of the three dimensions in which the images were intended to be viewed.  As such the book will show the images in their pair format and will include a viewer to enable the reader to view in 3D. 

The book will include at least 150 previously unpublished images taken by Andrew along with modern pictures of many of the locations as they appear today.

The book, which I currently expect to be 134 pages long, will first be published in a very limited private run to my own style and editing preferences.  After this short run is completed I will be seeking a commercial publisher who is interested in taking the book on to the next stage as a fully commercial production. 

These are the stages of work and the current progress: As at Easter 2014

  • Image scanning - sorting and review - Complete
  • Biographical research - Complete
  • Original location visits - 100% Complete
  • Location research - 100% complete
  • Writing of the first full draft - Completed!
  • Image review - 1st review Completed
  • Image improvements - Completed
  • External grammar/readability review - Completed
  • Full draft for review - Completed
  • Print sample
  • Limited run printing 

Anticipated print date at current rate of progress - Summer 2016 - Unfortunately, confirming a publisher is taking longer than I had hoped!

If you would like to contact me regarding the book please register on this site to access my contact details.

Draftt Copy On a Hill Road


The Stereo Victo Restoration

My Stereo Victo

When I first started this project I quickly realised that uncle Andrew had left remarkably precise details of his photographic equipment.  On the back of the cards entered in competition not only had he given his own details and the exposure but also details of his camera right down to the lens numbers!  The Camera was a Stereo Victo fitted with a Thornton Pickard Time and Instant shutter with a matched pair of Taylor Taylor and Hobson Rapid Rectilinear lenses.

At first I just wanted to see what a Stereo Victo looked like.  The only one I could trace was in the collection at Wood and Brass (http://www.woodandbrass.co.uk/) and for a very long time this was the only Victo I had seen.  But I kept looking and started wondering if I could possibly one day acquire one.

After several years of searching a rather dilapidated Stereo Victo came up for sale and I grabbed it!  The camera had lost its stereo shutter and had been modified for use as a 'normal' plate camera.  The bellows were in a very poor state and some of the brass was broken.  There were screw missing and bits hanging loose here and there.

But... it bore the all important "Stereo Victo" plate on the front.   Over a period of time I started to try and find a suitable shutter.  The first I bought had no lenses. So I continued my search.  By this time I had pretty much given up hoping I might find Taylor Taylor & Hobson lenses and I think this was wise... as I'm still looking!  Eventually, another stereo shutter came for sale and this time it had a nice pair of lenses.  The Wray Rectilinear lenses were not the same as Andrew's and cruder aperture controls but for now they are a sufficient alternative.

The camera sat a pile of bits in a box until the first draft of the book was complete. With it was being proof read elsewhere, I turned my mind to the Victo.

The 'restoration' I've done is not perfect.  The camera cannot be used.  That would need an investment in new bellows.  However, I think I have turned a pile of bits into a decent display piece.

Apart from replacing missing screws, gluing loose joints and soldering up the damaged brass I still need a lens/shutter-board and I had to do something about the bellows which became more ragged every time I touched them.

New Lens Board

Making a new lens/shutter-board turned out to be the best option and after sourcing some mahogany from a model aircraft specialist I set about the task.  It became immediately apparent to me why the Victorians used this wood so much.  It is like working with a piece of metal, somewhat similar to aluminum.  It can be cut, filed and has the strength of a light metal.  In the end you can hardly see the board I made as its covered by the shutter.  However,  after a coat of varnish on the outside and blackboard paint on the back looks a pretty good match for the original camera.  Without it there is no way to mount the shutter and lenses on the camera.

      The New Lens Board on the Shutter













The bellows were a challenge as there were gaping holes on all four corners and complete tears along some of the folds.   I decided that the cost of new bellows was just not justified at present (and it would change the 'old' look) so the question was how might a reasonable repair be achieved.  The idea I settled on was to glue black silk inside the folds of the bellows with rubber solution glue.  The silk was thin and flexible.

The crumbling Bellows















The result is a still somewhat tatty but functioning bellows folds.  From the inside, as the bellows were originally silk lined the effect is much less worse that I anticipated.  Once the glue has properly dried the result is quite acceptable. 

The same folds... not perfect but looking much better!

Working round the bellows attaching small patches the bellows gradually started to look better.  The process reminded me of my primary school days when the rubber solution glue was in common use, that unique odour and the sticking when you didn't want it to and the rubber glue on your fingers!

My Bellows Repair Kit














The end result of my labors can be seen at the top of this page.  Together with its tripod you get a good idea what it must have been like to lug around to all the places Andrew visited in his travels.

About the "On a Hill Road" Project

This project aims to publish and have recognised the unique body of stereo photographic work created in a small window of time around 1902-1905 by Andrew Guthrie Milne. The period was a time of great change, the new century was still young, Queen Victoria’s long reign came to an end and the Edwardian period began.


"On a Hill Road"   Andrew Milne in Killiecrankie

In a short period of at most 3 years Andrew Milne took up photography as a serious amateur with a passion and a competitive fervor which has left us a wonderful snapshot of the period. As a railwayman Andrew had access to the railway network across Scotland and took his stereo camera across Scotland from Ayr to Thurso.

As a part of the research of Andrew's work I have now visited almost every location where Andrew setup his camera, learning first hand insights into his story and recording the changes that the last century has brought to many of the locations. A story which will be presented in a forthcoming book.  You can come back here anytime and check my progress with writing up the first full draft on the progress chart (right).

If Andrew's photographs were just typical snapshots this project would have been of less interest. However, Andrew was very careful in his composition and very many of the pictures are, I believe, of a quality which matches the work of better known professionals such as Frith and GW Wilson who also travelled Scotland with their camera at around this time.  Shown below is a particularly good example of a study of the greenhouses at Glamis Castle.

Greenhouses Glamis Castle

"Greenhouse Glamis Castle" By Andrew Milne 1902

If you would like to contact me regarding Andrew,s work please register on this site to access my contact details.




© Copyright On a Hill Road Publishing ©2012 All Rights Reserved